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Hito Steyerl, May You Live In Interesting Times, May 11 - November 24, 2019, 58th Venice Biennale, Italy

Hito Steyerl, May You Live In Interesting Times

May 11 - November 24, 2019, 58th Venice Biennale, Italy
​​​​​​​Photo: Andrea Rossetti

Hito Steyerl, May You Live In Interesting Times, May 11 - November 24, 2019, 58th Venice Biennale, Italy

Hito Steyerl, May You Live In Interesting Times

May 11 - November 24, 2019, 58th Venice Biennale, Italy
​​​​​​​Photo: Andrea Rossetti

Hito Steyerl, May You Live In Interesting Times, May 11 - November 24, 2019, 58th Venice Biennale, Italy

Hito Steyerl, May You Live In Interesting Times

May 11 - November 24, 2019, 58th Venice Biennale, Italy
Photo: Andrea Rossetti

Hito Steyerl, May You Live In Interesting Times, May 11 - November 24, 2019, 58th Venice Biennale, Italy

Hito Steyerl, May You Live In Interesting Times

May 11 - November 24, 2019, 58th Venice Biennale, Italy
​​​​​​​Photo: Andrea Rossetti

Hito Steyerl, May You Live In Interesting Times, May 11 - November 24, 2019, 58th Venice Biennale, Italy

Hito Steyerl, May You Live In Interesting Times

May 11 - November 24, 2019, 58th Venice Biennale, Italy
​​​​​​​Photo: Andrea Rossetti

Hito Steyerl, May You Live In Interesting Times, May 11 - November 24, 2019, 58th Venice Biennale, Italy

Hito Steyerl, May You Live In Interesting Times

May 11 - November 24, 2019, 58th Venice Biennale, Italy
​​​​​​​Photo: Andrea Rossetti

Hito Steyerl, May You Live In Interesting Times, May 11 - November 24, 2019, 58th Venice Biennale, Italy

Hito Steyerl, May You Live In Interesting Times

May 11 - November 24, 2019, 58th Venice Biennale, Italy
​​​​​​​Photo: Andrea Rossetti

Press Release

At a time when the art world wonders at the first “artworks” produced by artificial intelligence and legitimises their status in the art market, Hito Steyerl questions AI’s applications. Unencumbered either by ethics or by a relevant legal framework, large corporations, often in tandem with the military industry, develop these technologies following their own economic interests while society at large remains oblivious to a discussion which is already changing its life-conditions. Following the trail of writers such as Jules Verne or Philip K. Dick and also referring to the work of Leonardo da Vinci, Steyerl is a harbinger of a future that she invites us to ponder.

(Source)